Robert L's Analog Synths

Roland Juno-106 for sale (The price list) by Robert L's Analog Synths


The extra cosmetic treatment -- all the keys are polished (EUR 100 -- 120 worth process)

After the thorough cleaning and disinfection of of the keys, they are all polished with our proven multi-stage process. All the scratches are
removed from the key surfaces in a lengthy and tedious procedure, and then polished to superb gloss (inspect the pictures). You will be playing
the keys that look like new. Make sure that your nails are properly cut to preserve this stage of refurbishment!


Fully disassembled, thoroughly cleaned from outside and inside, refurbished, serviced and adjusted
All voices are fully functioning, all filters checked and replaced if necessary, tuned and adjusted to the best possible condition.
The synthesizer is in full compliance with the original Roland factory specifications, and in many aspects (e.g. the filter tuning), even better.

Read on to see why all this is so important for Roland Juno-106!

THE NOTORIOUS JUNO-106 VCF VCA CHIP

The famous Juno-106 sound is colored by the Roland custom VCA/VCF 80017A chip. This chip is also a critical part. The resin used for coating becomes conductive over time and causes the chip to malfunction, especially in some production series. Not only that it can be completely broken resulting in no sound at all, but it can fail in many other ways. Sometimes the problems are not easily recognized, and can be heard as subtle problems on some sound programs and not on the others.

In other words, if the chip is fully out of function it is quite obvious. In POLY-1 mode you will hear that every sixth, different, note, is missing. When doing this test, the notes must be all different, because only by pressing a new, different key each time, a new voice will be assigned to play the corresponding tone. The easiest way to this is to play scales and listen to each of the six voices, or by pressing the six note chords in arpeggio style.

The other case is quite often unnoticed, because the chip can perform its job, but not in a fully correct manner. E.g. it can filter the signal normally but can not gate it properly, which results in a "hanging note", often silent and unnoticed in the background. Or the sound can be distorted, or reduced in volume. Or it can have a low level or instable frequency of selfoscillations. Other similar problems are common to experienced service technicians, like tiny crackling, hissing, etc. It is the best to check these problems by listening through good  quality headphones. If not aware of them and not skilled in audio testing, even the most honest seller can omit to report these symptoms. And it is quite likely now that a Juno-106, being older than 25 years of age, will have more than one problematic voice.

THE SUBSTITUTE CHIPS

As for the substitute chips, we install only the checked original replacements, or the best clones available on the market (D80017A). To improve the clone chips temperature stability, we implement the coating, as was intended by Roland engineers, but this time with our specially tailored covers that are fully isolated from the chip electronics, and will never cause leakage currents.

UNADJUSTED CIRCUITRY -- THE PROBLEM OF UNSERVICED JUNO-106

Even if you are lucky enough to get a Juno-106 with VCA/VCF chips that are fully functional, its voices will most often sound uneven without a proper adjustment of the whole analog

circuitry being performed. Although the pitch produced by the DCOs is correct (DCOs are digitally controlled and need no tuning), the sound timbre can be severely deteriorated.

Furthermore, the adjustment is the critical procedure needed to distinguish good chips from the bad ones. Quite often it happens that slight defects of the VCA/VCF chips, as described above, can only be recognized during this procedure. It includes in detail testing and listening to all the aspects of their functioning, including the selfoscillating regime. The adjustment must be done with professional measuring equipment (DMMs, oscilloscopes, tuners), and by a qualified electronic technician.

Of course, as stated above, the Junos 106 that we deliver are all tuned to the finest details, above the specifications of the original Roland service adjustment procedure.

IS JUNO-106 A PROBLEMATIC AND UNRELIABLE SYNTH?


Because of the problems with the original Juno 106 VCA/VCF chips, many people say that "Juno-106 is a great sounding synthesizer, but quite unreliable because of the voicing problems". Partly they are true because of the mentioned chip manufacturing technological problems. However, if all the inspection is done, and all the bad chips are substituted with the correct ones, and everything being properly adjusted, the Juno 106 will sound as you hear it on the hit records. Also, you can count that it will stay that way for quite some time.

WHAT IF SOME CHIP DOES GET WRONG WITH TIME?

By buying the Juno-106 from us you will not only avoid any of the above stated problems of missing or incorrect voices and unadjusted analog circuitry, but will also have a full guarantee, which includes the VCF/VCA chip. If some of these critical parts does go wrong during the warranty, it will be replaced by a fully functioning substitutes free of charge (excluding the shipping costs). You can either have them replaced yourself, or can send the whole voice board to us for replacement at our workshop. And of course, even after the warranty period, you can count on our help in this, and any other matter.

The item-on-sale's look estimation
1.  Outside Look:  8.5
    (on the scale from 1 to 10, where 10 is a new, like-from-factory look, and 5 is the average look of a second hand keyboard instrument);
2.  Inside Look:    9.5

The Explication of the Outside Blemishes: The only reason for lowering the outside look grade from the highest one to 8.5 are small parts of the paint that fell of. These are meticulously cleaned from any traces of rust and precisely camouflaged with the similar shade of gray. When looking from the normal playing distance, this will not be easy to spot. When looking from close, or toward the light refection in the paint surface, this is seen as tiny gray spots, as can be inspected on the enlarged photographs.


  Click on the photographs for the extra large format. If, after clicking, your browser doesn't show the 
   full-size pictures, save them on your computer and inspect them with a photo viewer or editor.


 

Top View 1.
Normal, diffuse light.

 

Top View 2.
Bright, flash spot, to emph-asize the tiny spots of the gray paint added in the refurbishing process.

The biggest chip of paint added to camouflage the fallen off original paint can be seen below the patch number button #3, i.e. above middle G#.

 

Top Front
View.

 

Front View.
Bright, flash spot, to emph-asize the tiny spots of gray paint added in the refurbishing process.

 

Rear View
Bright, flash spot, to emph-asize the tiny blemishes in the metal housing paint.

 

Open Hood View.
This synthesizer is equally well cleaned and refurbished from outside and inside. Note the new Zinc plated holders of the black plastic side panels.

All the keys are polished (EUR 100), and the keybed is rust protected and  repainted.

 

 

Interior Details.
The PCBs are in perfect order as is their look. They are clea-ned by our pro-prietary method. All pots are cleaned, check-ed, and replaced if needed. The spare parts are of the high quality.

The RAM backup Lithium memory has voltage above 3.2V

Top View -- Left and Right Details.
Enlarge the photos to check the details of the surface condi-tion.

 



Roland Juno-106
is a popular "must have it" synth, and one of the most widely known analog keyboards. If you don't have it already, you should really ask yourself why! Juno-106 is quite affordable, reliable, easy to work with, and has excellent MIDI implementation. E.g. system exclusive messages can be sent with every move of the sliders and get recorded in your sequencer. Or the program data can be sent whenever a program is selected and thus recorded in the song you are working on. Made by Roland in the mid 80s, when digital synths like Yamaha DX-7 ruled the musical scene, this synth silently entered the keyboard scene. By the mid 90s it became highly popular and extremely wanted. Hundreds and thousands of them got into the hands of the analog fans. Ten years after it is still highly appreciated and sought after. It stands in the lower range of prices only because it is not a rarity. Otherwise Juno-106 is considered as a valuable analog synthesizer and a music-production standard. Certainly one of the keyboards you will not want to part with.

Juno-106 is a DCO based synthesizer. DCO stands for Digitally Controlled Oscillator -- therefore there's no need to tune the oscillators. However, the rest of its functions is produced by analog circuitry.

It has the excellent Roland Voltage Controlled Filters (VCFs) of both, the Low Pass (LPF), and High Pass (HPF) type. They sound just as you would want them, and will produce great synth brasses, strings, pads, effects, filter sweeps, strong resonances, you name it.

Besides the great filters, there's just about everything you would expect from a quality Roland synth, like square suboscillator, LFO modulations, versatile ADSR envelope, chorus to fatten the single-oscillator voices, etc... Every function is easily accessible by a dedicated potentiometer, all laid down in an easy to follow manner.

Although Juno-106 was announced by Roland as "Juno-60 with MIDI", besides a few added functions, like the unison mode and portamento, this is not quite so. Juno-106 does sound a bit different. The predecessor is slightly warmer and more gentle, while Juno-106 sounds a bit tougher and stronger. But each of them excels in its own way. Of course, we are talking here about the nuances of the sound. We can say that both of them have the classic "Juno" character. For the standard technical data about Juno-106, please refer to many other pages available on Internet.

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